By Remi Anifowose, Francis Enemuo
"This is the 1st e-book to discover the connection among experimental theatre and function making in France. Reflecting the new go back to aesthetics and politics in French idea, it specializes in how quite a few theatre and function practitioners use their artwork to contest truth because it is at present configured in France"--
content material: From mise en scène of texte to functionality of 'textual fabric' / David Bradby --
The spirit of a spot : position in modern French theatre / Michel Corvin --
The landscaped narratives of Philippe Minyana and Noëlle Renaude / Céline Hersant --
The politics of dramaturgy in France / Clare Finburgh --
An not likely scene : French theatre within the new liberal financial system / Jean-Pierre Han --
the development and creation of functionality / Robert Cantarella --
appearing presence, putting forward distinction : Deleuze and the minor theatres of Georges Lavaudant and Carmelo Bene / Laura Cull --
Théâtre du Grabuge : ethics, politics and neighborhood / Bérénice Hamidi-Kim --
Amateurism and the 'DIY' aesthetic : Grand Magasin and Philippe Quesne / Chloé Déchery --
From Orlan to Bernhardt : recycling French feminism, theatre and function / Elaine Aston --
functionality and poetry : crossed destinies / Éric Vautrin --
Breaking down the partitions : interventionist functionality ideas in French road Theatre / Susan Haedicke --
Montage and détournement in modern French relocating photo functionality / Carl Lavery --
Xavier Le Roy : the dissenting choreography of 1 Frenchman much less / Bojana Cvejic --
A theological flip? : French postmodern dance and Herman Diephuis' D'Après J.-C. / Nigel Stewart --
observing humans within the mild : Jérôme Bel and the classical theatre / Augusto Corrieri --
Après toutes ces elles/After all this else : 'new' French feminisms translated to the British scene / Geraldine Harris.
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Additional info for Elements of Politics (Codesria Monograph Series, 92, 3)
23. In spite of this evident emphasis on formal consideration in political theatre, many scholars, especially in the United Kingdom (for example, Whitton, 1987: vii), perpetuate a dichotomous opposition between theatre makers more preoccupied with stagecraft, and those who are politically engagé. Bettina Knapp, for example, categorizes Benedetto as a militant, and Georges Lavaudant as an aesthete (1995: 1). 24. See Olivier Neveux (2007) for a comprehensive account of French militant theatre. 25.
In the late 1960s and 1970s, many of those working in the decentralized theatre had been dazzled by the visits to France of productions by, first, Jerzy Grotowski, then Robert Wilson, then Tadeusz Kantor. Inspired by these examples, many young directors saw their future in the exploration of all the corporeal and visual aspects of theatre production. Roger Planchon had developed a theory of écriture scénique (scenic writing) as the creative contribution of the director, to be put on a par with the écriture dramatique (dramatic writing), supplied by the playwright.
Since interior and exterior, proximity and distance dissolve, Hersant concludes, like Corvin, that place in these authors’ works ultimately runs no deeper than its linguistic contours. This is particularly evident in Renaude’s plays, where typographical layout, almost like an Appollinairian calligramme, in itself carries meaning. As we have stated, both contemporary French theatre and performance are characterized by their postmodern hybridization of art 20 Contemporary French Theatre and Performance forms: Corvin notes how playwrights incorporate into their writing the panoramic vistas offered by novelistic and cinematic forms; later in the volume Éric Vautrin, in his essay on performance poetry, discusses the theories and works of Olivier Cadiot who, with Valère Novarina, is both a celebrated playwright and poet.
Elements of Politics (Codesria Monograph Series, 92, 3) by Remi Anifowose, Francis Enemuo