Jen Bryant's A Splash of Red: The Life and Art of Horace Pippin PDF

By Jen Bryant

ISBN-10: 0449810143

ISBN-13: 9780449810149

Book Details:

ASIN: B008LMD33U
Publisher: Knopf Books for younger Readers
Publication Date: 2013-01-08
Number of Pages: 40
Website: Amazon, LibraryThing, Google Books

Synopsis from Amazon:

A Robert F. Sibert Honor Book

Winner of the Schneider relatives e-book Award

[b]An ALA-ALSC striking Children's Book
[/b]
Winner of the NCTE Orbis Pictus Award for impressive Nonfiction for Children

As a baby within the overdue 1800s, Horace Pippin enjoyed to attract: He enjoyed the texture of the charcoal because it slid around the flooring. He enjoyed anything within the room and making it come alive back in entrance of him. He drew photos for his sisters, his classmates, his co-workers. Even in the course of W.W.I, Horace stuffed his notebooks with drawings from the trenches . . . until eventually he used to be shot. Upon his go back domestic, Horace couldn't raise his correct arm, and couldn't make any paintings. Slowly, with plenty of perform, he regained use of his arm, until eventually once more, he used to be capable of paint--and paint, and paint! quickly, people-including the well-known painter N. C. Wyeth-started noticing Horace's artwork, and sooner than lengthy, his work have been displayed in galleries and museums around the country.

Jen Bryant and Melissa candy group up once more to proportion this inspiring tale of a self-taught painter from humble beginnings who regardless of many hindrances, used to be eventually in a position to do what he enjoyed, and be well-known for who he used to be: an artist.

From the Hardcover edition.

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Additional info for A Splash of Red: The Life and Art of Horace Pippin

Sample text

Miller’s What They Saved: Pieces of a Jewish Past (2011). Both De Waal and Miller set out to explore the history behind certain objects – a collection of Japanese miniature sculptures, photographs, a mysterious land deed for a lot in Palestine, a postcard from Argentina, and a lock of hair – because without a narrative, these items are little more than signifiers for a story. 1 Symbolizing the loss of family, community, and culture – the lost world of upscale Jewish Vienna for de Waal, and the destroyed communities of Bratslav and Kishinev for Miller – family objects serve as the triggers and compasses of physical and metaphorical journeys into the past.

Souvenirs, relics (primarily in the nonreligious sense), souvenirs, and other memorabilia are important themes in the study of memory; they represent the past and are, in metonymic form, embodiments of the past. In his seminal study on cultural memory, Jan Assmann defines several external dimensions of memory, such as societal and cultural structures, mimetic memory, and also the Gedächtnis der Dinge, ‘the memory of things’ (2011: 6). Objects tell many stories, ranging from intimate to public, and act as carriers of personal and cultural memory.

In part, this explains why they are not a source of longing for the Second Generation; as representations of the family’s murder, they cannot serve as links to a usable pre-Holocaust past. These narrated objects form part of the parental suffering and provide memory links to a moment of trauma that can only be crossed by those who suffered it. Here, the Second Generation authors function only as archivists of survivor memory rather than involving themselves in the familial equation. Both examples illustrate the double loss of family and belongings.

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A Splash of Red: The Life and Art of Horace Pippin by Jen Bryant


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